See more at http://mostdangeroustown.com
Watch the cybercrime documentary profiling the Romanian town nicknamed “Hackerville” or “Most Dangerous Town on the Internet.” Convicted blackhat hackers, like Guccifer (real name), talk worms, viruses, social engineering, identity theft, and even hacking Hillary Clinton’s email.
Johnny “Cupcakes” Earle started 16 companies before finally getting it right. In his entertaining talk, Johnny outlines the various hardships and small, clever things he incorporated into his brand that ultimately led to the success of the Johnny Cupcakes t-shirt brand.
Named America’s #1 Young Entrepreneur by BusinessWeek, and recognized 4 years in a row for making it into the Inc. 500 | 5000 fastest growing independent companies in America, Johnny Earle started his business by selling t-shirts out of the trunk of an ’89 Toyota Camry when he was 19. Since that time, the Johnny Cupcakes brand has grown out of his sedan, and into the multimillion dollar apparel company it is today.
This talk was given at a TEDx event using the TED conference format but independently organized by a local community. Learn more at http://ted.com/tedx
Four years is a long time in the Internet age. Just think: Four years ago you probably didn’t know what Uber was, had never used SnapChat, and you probably had never heard of a rapper named A$AP Rocky and his Harlem based crew, the A$AP Mob. In 2011, A$AP Rocky launched the A$AP movement after releasing an instant classic video called “Purple Swag.”
The video blew us away. Just when it was starting to feel like New York couldn’t produce new rap stars, a shirtless Rocky came strutting down the block on that bike sporting Jeremy Scott adidas with the charisma of 50 Cent, the sound of Houston, and a “alternative but traditional” aesthetic masterminded by the late, great A$AP Yams. Four years later and Rocky is a full blown star who recently got his third Complex cover and has his highly anticipated sophomore album slated for later this year. That’s why this song was ripe for a Magnum Opus treatment.
None of what Rocky—and the rest of the Mob—has accomplished these past few years would have been possible if it wasn’t for “Purple Swag.” So we got with the main members of the Mob including Rocky, A$AP Ferg, A$AP Nast, and A$AP Bari to talk about how the Mob came together and how Rocky crafted the song. Of course, we all also took time out to talk about the genius of A$AP Yams, who tragically passed away earlier this year, and how he helped the song blow up. As great as the song is, it certainly wouldn’t have had the same impact without it’s corresponding video. So we also spoke with director Jason Ano as well as everybody’s favorite white girl with gold grills, Anna Trill. And finally, with all the debate that the song sparked about whether or not New York rappers should be using a Southern sound, we just had to speak with the Trill OG himself, Bun B about why he’s cool with Rocky’s H-Town influence.
Subscribe to Complex for More: http://goo.gl/PJeLOl
Check out more of Complex here:
Entertaining videos that bring to life Complex Media’s authoritative take on trendsetting music, sneakers, style, pop culture, video games, tech, cars, and art—featuring your favorite celebrities from the past, present, and future. COMPLEX is a community of creators and curators, armed with the Internet, and committed to surfacing and sharing the voices and conversations—both multi-culture and multicultural—that define our new America. We make culture pop.
This is by far one of my best projects Iv’e done. I hope you enjoy it as much as I had a blast making it. Please leave your comments down below and show me some love. If you enjoyed it alot tweet this video to abel himself. Thank you all. XO
Piano Intro : https://www.youtube.com/watch?v=X4RHh…
Get lit with the Harlem rapper as he talks about At.Long.Last.A$AP.
Subscribe to our YouTube Channel: http://bit.ly/10OyDHc
Visit our official website: http://win.gs/avjLrK
Our latest videos on YouTube: http://bit.ly/12nkX7h
Follow us on Twitter: http://bit.ly/Lx4wQy
Like us on Facebook: http://on.fb.me/12N5Ch0
In 2011, Harlem’s A$AP Rocky emerged at the forefront of a resurgent New York rap underground. Connecting the dots between a wide spectrum of ‘90s rap and the fashion-savvy hip hop vanguard, Rocky quickly ascended to global stardom. In this public lecture at London’s majestic St. Pancras Renaissance Hotel, as part of the 2015 RBMA UK Tour, the rapper gave a rare insight into his state of mind. Sitting down with journalist Hattie Collins on the Red Bull Studios London couch where he wrote much of At.Long.Last.A$AP, Lord Flacko seemed delighted to hold court. This extensive interview also features a special appearance by Yasiin Bey and the first play of album cut “M’$.” Find out more about A$AP Rocky’s upcoming public lecture in Harlem for Red Bull Music Academy Festival New York here: http://nyc.redbullmusicacademy.com/co…
We all talk about the Stone Age, the Iron Age and the Bronze Age, but what era are we living in right now? People are starting to refer to us as the – far less romantic – Plastic Age. We make 288 million tonnes of plastic a year, and unlike paper, metal, glass or wood, it does not oxidise or biodegrade, instead it ends up in our oceans, making the ratio of plastic to plankton 100:1. The way to make use of The Great Pacific Garbage Patch? Bionic yarn. Co-designed by Pharrell, G-Star’s RAW for the Oceans collection is the world’s first denim line created from plastic that has been fished out of the big blue and recycled. Find out how we can pick 700,000 tonnes of plastic up off the sea floor in our documentary, made possible by G-Star, The Plastic Age.
An ALLDAYEVERYDAY Production
Directed by Jake Sumner
Writers Jake Sumner and Zach Neumeyer
Director of Photography Austin Cary Rhodes
Producer Kate Cunningham
Executive Producer Lucy Cooper
Editor Zach Neumeyer
Original Music & Sound Design Dražen Bošnjak at Q Department
Colorist Jaime OBradovich at Company 3
Additional Photography by
Ryan Dickie, Brett Jutkiewicz, Daniel Kanes, Sesse Lind, Prune Brenguier, Yusuke Hayamizu, Nobutaka Shirahama, Jake Sumner
Colin Alexander, Rob Bluemke, Tony Leonardo, John Reynolds,
Diana Sagrista, Travis Sentell, Gary Stevenson, Jake Sumner
Camera Assistants Sonny Brown, Lindsay Mann, AJ Wilhelm
Unit Producers Michaela McKee, Cedric Troadec, Andrew Runkle, Andrea Pinto, Clémentine Duzer
2nd Unit Director Kate Cunningham
Production Manager (LA) Noelia Estrada
Production Coordinators Amy Crowdis, Julia Palermo, Sebastian Stein, Ty Demura
Data Management Rob Bluemke, Brian Williamson
David Bly, Mike Brady, Natalie Carpenter, Michelle Faeroe, Andrew Ilson, Tom Kogut, Vijayta Narang, Julia Palermo, Sylla Saint-Guily, Lyle Shanahan, Michael Smith, Deno Williams, Kelly Zimmerman
Post Producers Tara Holmes, Jenna Gabriel
Animation and Art Direction Lessa Millet
Assistant Editors Andrew Taylor, Kete Bennis, Kyle Grandmaison
Stock Footage Provided by
Algalita Marine Research & Education
Joel Sadler at Aerial Archival
Lewis Teague Wright
Interviews (in order of appearance)
Dr Marcus Eriksen
Dr Wallace J Nichols
Dr Mike Biddle
Capt. Charles Moore
Capt. Paul Watson
Global Head of Video Danielle Bennison-Brown
Senior Video Commissioning Editor Jack Robinson
Head of Branded Production Fiona Scott
Head of Creative Development Bunny Kinney
Project Manager Cat Crawford
Associate Producer Declan Higgins
Production Manager U.S. Eleanor Galloway
Production Manager Tiwirayi Magwenzi
Production Coordinator Tom Ivin
Adrian Grenier, Keith Edmeir, Dave Ransome, Mollusk Surf Shop, K&M Camera, Doug Woodring at Ocean Recovery Alliance, Lewis Teague Wright, Charlie Smith, Jeanne Gallagher, Kona Brewing Company, Tracy Williams of Tracy Williams Ltd., Arthur Huang, MINIWIZ, Jordan Howard, Eadoin Quinn at Sims Municipal Recycling, Piotr Lozak
A Very Special Thanks To
Parley for the Oceans
More videos from the VICE network: https://www.fb.com/vicevideos
This is a short film that was directed by the French animation collective H5, François Alaux, Hervé de Crécy + Ludovic Houplain. It was presented at the Cannes Film Festival 2009. It opened the 2010 Sundance Film Festival and won a 2010 academy award under the category of animated short.
In this film there are two pieces of licensed music, in the beginning and in the end. All the other music and sound design are original. The opening track (Dean Martin “Good Morning Life”) and closing track (The Ink Spots “I don’t want to send the world on fire”) songs are licensed pre-existing tracks. All original music and sound design is by, human (humanworldwide.com)